9th Cinemalaya Philippine Independent Film Festival New Breed Category




A new breed of Filipino filmmakers will be showcased in the 9th Cinemalaya Philippine Independent Film Festival from July 26 to August 4.

BABAGWA (Spider)
By Jason Paul Laxamana


An Internet scammer falls in love with a wealthy old maid while trying to swindle her using a fake Facebook profile.

DEBOSYON
By Alvin B. Yapan  


Mando, a Bikolano devotee of Ina, Virgin of PeƱafrancia, Patroness of Bikolandia, injures himself in the middle of the forest at the foot of the Mayon Volcano.  He will be nursed back to health by a mysterious woman, Salome, living there.  They will fall in love with each other.  But when Mando invites her to come with him to the plains, Salome refuses, saying a curse prohibits her from leaving the forest.  Salome holds a secret that will devastate Mando’s love for her.  Mando relies on his devotion to the Virgin of PeƱafrancia to lift the curse, making him realize just how inextricably linked are the virtues of love and faith.

INSTANT MOMMY
By Leo Abaya  


In order to solve a personal predicament, Bechayda, a wardrobe assistant in TV commercials, pretends to be pregnant.

The film is one summer’s journey with her as she reaches the fateful decision amidst a highly visualized world where the video screen not only reigns supreme but is also the frame within which a usually unsuspecting public accesses the content of image-makers.

NUWEBE
By Joseph Israel M. Laban
 
Inspired by the actual story of one of the youngest mothers in Philippine history, NUWEBE follows the story of Krista who at the tender age of 9 got pregnant from the sexual abuse perpetrated by her own father.  Her story is complex.  Krista refuses to see herself as a victim.  With an almost documentary style, NUWEBE follows Krista’s story as she demonstrates a level of resilience uncommon to her age.  Her mother on the other hand is torn between her love for her child and her love for her husband.

PUROK 7
By Carlo Obispo
 
A countryside dramedy (drama-comedy) that follows the story of 14-year-old Diana and her younger brother who live by themselves after their mother went abroad and their father lived with another woman.

QUICK CHANGE
By Eduardo Roy Jr.
 
Life of Dorina a middle-aged transsexual looking for his niche amidst the complexities of the world he is in.  This is a story of suffering, acceptance and hope.

REKORDER
By Mikhail Red
 



REKORDER tells the story of a former 1980's film cameraman who now currently works as a movie pirate operating in present day Manila.  He routinely smuggles a digital camcorder into movie theaters in order to illegally record films.  One night he records something else... And the footage goes viral.

THE DIPLOMAT HOTEL
By Christopher Ad Castillo

Victoria Lansang is a popular news reporter who has been requested to mediate a hostage crisis.  And in front of a national television audience, something horribly goes wrong and people are killed while Victoria suffers a mental breakdown.

A year later, she's eager to get back into the game but the only assignment she can get is to do a documentary on the last night of The Diplomat Hotel in Baguio City, a crumbling and abandoned building infamously known for its bloody past and its hauntings and has carved a place in Philippine ghost lore.

Looking for redemption, she arrives there with her crew and they start filming.  But as they get deeper into the night, the place starts to exert its will on them and they find out exactly what monstrous evil awaits at The Diplomat Hotel.

By daybreak, their lives will never be the same again.

TRANSIT
By Hannah Espia

TRANSIT begins and ends in an airport during a father and son's transit flight from Tel Aviv to Manila.  It tells the story of Moises, a Filipino single-dad working as a caregiver in Herzliya, Israel, who comes home to his son Joshua's 4th birthday.  It was on that day that Moises, together with their Filipino neighbors, Janet and her daughter Yael, find out that the Israeli government is going to deport children of foreign workers.  Afraid of the new law, Moises and Janet decide to hide their children from the immigration police by making them stay inside the house. 

DAVID F.
By Manny Palo

Black is scientifically the absence of color, but not all who see it are color-blind, figuratively.

David F. weaves three stories that take a look at the lineage of African Americans in the Philippines – from American soldiers in the Fil-Am war to the Amboys in the former Clark Airfield, and how we Pinoys take to them.                          
                                                                           
It begins with the Philippine-American war in the early 1900’s when two Filipinos want to get the reward money for capturing David Fagan, the African-American soldier who deserted the U.S. army to join the Filipino revolutionaries against the new colonizers.  Another thread of the film takes a look at the life of a Filipina during the Japanese occupation before the return of General Douglas MacArthur in 1944 who gives birth to a baby that turns out to be black-skinned.

And then in contemporary times, a black gay impersonator in a comedy bar, whose father is an African American soldier based in Clark Air Base in Angeles City, tries to find his father who abandoned them.

In the course of history, the “F” in “David F.” may spell different levels of discrimination. But would we also admit that we Filipinos are bigots ourselves?   

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